The evolution and equilibrium of copyright in the digital age / ed. by S.Frankel, D.Gervais. - Cambridge: Cambridge University Press, 2014. - xi, 325 p. - (Cambridge intellectual property and information law; 26). - Incl. bibl. ref. - Ind.: p.317-325. - ISBN 978-1-107-06256-6 Шрифт: (W5791/26, Х933-T440 ч/з7) 01  Место хранения:   01 | ГПНТБ СО РАН | Новосибирск

Оглавление / Contents

List of figures ................................................ VII Notes on the contributors ..................................... VIII Preface ......................................................... XI Evolution and equilibrium: an introduction ....................... 1 SUSY FRANKEL AND DANIEL GERVAIS Part I Central players: authors, owners, intermediaries and users 1 Exceptional authorship: the role of copyright exceptions in promoting creativity ......................................... 15 JANE C. GINSBURG 2 After twenty years: revisiting copyright liability of online intermediaries ........................................ 29 NIVA ELKIN-KOREN 3 Overlapping rights: the negative effects of trademarking creative works ............................................... 52 IRENE CALBOLI Part II New enforcement regimes 4 Beyond graduated response .................................... 81 REBECCA GIBLIN 5 The rise of criminal enforcement of intellectual property rights... and its failure in the context of copyright infringements on the Internet ............................... 113 CHRISTOPHE GEIGER 6 Administrative enforcement of copyright law in China: a characteristic deserveing of praise or repeal? ............ 143 LUO LI Part III Old legal techniques and new challenges 7 Out of time? Copyright law and the Australasian judiciary in the digital age .......................................... 161 SUSAN CORBETT 8 Internet Service Provider liability for copyright infringement in Latin America ............................... 180 PABLO WEGBRAIT 9 New technologies and the scale of copyright infringement: should size matter to liability? ............................ 203 GRAEME W. AUSTIN 10 Facilitating access to information: understanding the role of technology in copyright law ......................... 221 LEANNE WISEMAN AND BRAD SHERMAN Part IV The collective management solution 11 Is there potential for collective rights management at the global level? Perspectives of a new global constitutionalism in the creative sector .................... 241 CHRISTOPH В. GRABER 12 Copyright collective management in the twenty-first century from a competition law perspective .......................... 269 YEE WAH CHIN 13 Copyright on the Internet: consumer copying and collectives ................................................. 285 GLYNN S. LUNNEY, JR 14 Coda: fair trade music: letting the light shine in .......... 312 EDDIE SCHWARTZ Index .......................................................... 317