List of figures ................................................ VII
Notes on the contributors ..................................... VIII
Preface ......................................................... XI
Evolution and equilibrium: an introduction ....................... 1
SUSY FRANKEL AND DANIEL GERVAIS
Part I Central players: authors, owners, intermediaries and
users
1 Exceptional authorship: the role of copyright exceptions in
promoting creativity ......................................... 15
JANE C. GINSBURG
2 After twenty years: revisiting copyright liability of
online intermediaries ........................................ 29
NIVA ELKIN-KOREN
3 Overlapping rights: the negative effects of trademarking
creative works ............................................... 52
IRENE CALBOLI
Part II New enforcement regimes
4 Beyond graduated response .................................... 81
REBECCA GIBLIN
5 The rise of criminal enforcement of intellectual property
rights... and its failure in the context of copyright
infringements on the Internet ............................... 113
CHRISTOPHE GEIGER
6 Administrative enforcement of copyright law in China:
a characteristic deserveing of praise or repeal? ............ 143
LUO LI
Part III Old legal techniques and new challenges
7 Out of time? Copyright law and the Australasian judiciary
in the digital age .......................................... 161
SUSAN CORBETT
8 Internet Service Provider liability for copyright
infringement in Latin America ............................... 180
PABLO WEGBRAIT
9 New technologies and the scale of copyright infringement:
should size matter to liability? ............................ 203
GRAEME W. AUSTIN
10 Facilitating access to information: understanding the
role of technology in copyright law ......................... 221
LEANNE WISEMAN AND BRAD SHERMAN
Part IV The collective management solution
11 Is there potential for collective rights management at the
global level? Perspectives of a new global
constitutionalism in the creative sector .................... 241
CHRISTOPH В. GRABER
12 Copyright collective management in the twenty-first century
from a competition law perspective .......................... 269
YEE WAH CHIN
13 Copyright on the Internet: consumer copying and
collectives ................................................. 285
GLYNN S. LUNNEY, JR
14 Coda: fair trade music: letting the light shine in .......... 312
EDDIE SCHWARTZ
Index .......................................................... 317
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